The Australian ACTORS OF TOMORROW: Interview w/ the Main Cast & Creators of ‘Broke Actor’

Australian screens are slowly progressing, yet still far behind when it comes to showcasing our multicultural nation & wealth of diverse stories. The Actor/Filmmaker couple behind NOAH Films, known for creating high quality works on micro-nil budgets, including their Multi-Award Winning web series ‘Social Murderer’ (2021) & the Create NSW/Aus government funded short film ‘Red Lantern’ (2023, Blacktown Shorts) – take this on in their brand new mini series ‘BROKE ACTOR’, out on YouTube this May 31st.

BROKE ACTOR follows the pursuit of an Acting Career with a twist. Where most film and TV of the same subject matter follow the everyday struggles of Actors – Broke Actor takes this on from the point of view of Australians from Ethnically Diverse backgrounds. Beyond the ‘Starving Artist’ narrative, the series takes viewers out of audition rooms and into the real lives of each character, delving further into family expectations, stereotypes, typecasting & what it truly means to be ‘Australian’ in an industry that judges you first and foremost on appearance. This is a lens yet to be seen on screen and often overlooked. The series was inspired by the real life journeys of its creators – Sangeetha Gowda & Marshall-Weishuai Yuan, who also Wrote, Directed, Produced & Co Star. The series also Co-Stars Sky Reg’Ina, Mathew V Philip & Mina Asfour, with Veena Sudarshan (To Freely Flourish), Jason Lin (Five by Five), Samuel Litvensky, Isha Desai (Urvi went to an All Girls School) & Stephen Reid in major Supporting roles, is co-produced by Rikke Voss & co-written by Mina Asfour (Episode 5).

“I remember when I was a kid being captivated by films, the essence of the screen was magical. I would watch the lead actors and visualise myself in their shoes. Fast forward to my early 20s, I finally decided to follow the footsteps of so many of my idols and become an actor myself. However, this beautiful vision came to a halt as soon as I was put in a typecasting box due to my Asian background. What soon came after was an uphill battle of trying to prove to others that I deserved a spot at the table. The reality is that this is not just a story I share on my own, but the story of many Ethnic Australians across industries, and it’s a story that isn’t usually told because people are afraid if they say something they’ll be punished. I always believe that good art is about truth presented visually, and I hope with our series we can change things and spark conversations so that people won’t have to experience the things I’ve gone through.” – Marshall-Weishuai Yuan, co-creator/writer/director/producer & co-star.

“I think this is very much a subject that people would rather sweep under the rug and pretend isn’t happening. But I cannot deny how much of an impact these issues have had on my career as an Actor – so much so, that Marshall & I felt the need to create an entire film company in order to attain the opportunities we knew we were capable of but just weren’t being granted – due to our race. Being Mixed-Race, I’ve found the industry always tries to shove me into a side, even though I don’t entirely fit there. This has made me see clearly – just how much of an issue it is to continuously see Actors for ‘what box they can tick’ over looking at them as human beings with talent and work ethic. Sometimes it seems easier not to speak out and hope these things will eventually change, but the only way for true change to happen – is to address these issues head on. And I think film is a great medium to do that.” – Sangeetha Gowda, co-creator/writer/director/producer & co-star.

NOAH Films allows the opportunity for Australians of all cultural backgrounds to play multidimensional characters that go beyond the surface of what they look like or how they’re expected to act. Through their multiple projects, Sangeetha & Marshall have proven that there is no shortage of Ethnic-Australian talent, rather the lack of Diverse talent on screen here – lies in a lack of opportunity. In this interview, the creators discuss the making of Broke Actor, its central themes & what they hope audiences will take away after watching, as well as insight from the Main Cast on their character’s journeys and what it’s like working with NOAH Films.

Sangeetha Gowda & Marshall-Weishuai Yuan, the Actor/Filmmaker couple behind NOAH Films & upcoming Broke Actor Series.
Dressed by LAKSHMIBEE

THE CREATORS:

DAM: Sangeetha, Marshall, what inspired you to create this project and why now?

SG: Marshall and I have actually been developing a longer version of this idea since early 2023. We sat down and sort of went – ok, we’ve reached a point in our career that we’re very happy with, but how can we take things to the next level now? Naturally that would be a longer form project, but as we’ve learnt – that process takes a lot more resources, finance, connections and time. We’re both very active people, and we had spent so much time in Development that we had sort of halted this continuous stream of creating films and releasing them since we started NOAH back in 2019. And we missed it. As hard as it is to go out and decide to create something, before you have any resources to really do so – that love of getting to create itself, is why we’re even here in the first place. It felt amazing to get back on set – and even more to be creating something that resonates so deeply. Representation and Diversity on Screen have almost become buzzwords in recent years, everyone talks about needing it – but I don’t feel it’s properly been broken down to audiences as to Why. And that’s a question I hope Broke Actor answers.

“‘Representation’ and ‘Diversity on Screen’ have almost become buzzwords in recent years, everyone talks about needing it – but I don’t feel it’s properly been broken down to audiences as to Why. And that’s a question I hope Broke Actor answers.”
sangeetha gowda

MWY: It was a culmination of years spent in the Australian film industry and my (and Sangeetha’s) experiences through it. Being a Chinese Australian actor in the industry is no easy feat if you want to fulfil your dreams. There’s a lot of discrimination and indecencies faced against you because of your race. I’ve had my fair share, and still continue to do so, so the best way to share my experience was through creating this project. I think this topic is usually swept underneath the carpet, it’s kind of a silent ‘no, no’ that the industry doesn’t want to acknowledge, but being the industry trouble maker, I want to talk about it. This isn’t just for me, but it’s for the countless other Ethnic Australians who face a similar journey in never fulfilling their dreams all because they were born with a certain skin colour.

“It’s kind of a silent ‘no, no’ that the industry doesn’t want to acknowledge, but being the industry trouble maker, I want to talk about it. This isn’t just for me, but it’s for the countless other Ethnic Australians who face a similar journey…”
marshall-weishuai yuan

DAM: What’s it like to draw from your own life as you did with Broke Actor? Is it easier writing from what you know?

MWY: It’s painful writing what I know, but that’s the essence of art; you’re bearing your soul into your work. Just like Bong Joon Ho, the director of Parasite (2019) said ‘the most personal is the most creative’, I drew from a lot of instances in my life where I felt like other people could also relate to. In saying that, it was like reliving certain experiences and memories, which luckily I’ve grown and matured from – to the point I can openly talk and create about it [now]. I think there is always an essence of dramatising the story but I think we did a good job of capturing the essence of our experiences in the series. I think what’s important is not just writing this in the mind of yourself but thinking about others and how they would relate to this story as well. In a way it’s like being a representative, a voice, to the voiceless.

“What’s important is not just writing this in the mind of yourself but thinking about others and how they would relate to this story as well. In a way it’s like being a representative, a voice, to the voiceless.”
marshall-weishuai yuan

SG: There is a real weight that comes with creating work that’s based on your real life experiences and releasing it openly for people to scrutinise. Naturally I’ve felt that stronger on this project than any I’ve created previously. I’ve had so many moments of vulnerability and anxiety, that I honestly felt like calling it off. But what kept me going was knowing that this project could be a voice for those who maybe can’t speak out, or are afraid to – or that it might serve as an inspiration for anyone struggling to continue on towards their dreams. Ironically, I’ve faced some of the biggest financial difficulties – I think ever in my life, all during the making of ‘Broke Actor’. There were times I had to literally choose between – paying shoot expenses, or paying my rent, and delaying the project a little more. Sometimes you really can’t help but laugh (and cry a little). At the end of the day, and at the heart of the series – is the importance of Dreams, despite the obstacles.

“There is a real weight that comes with creating work that’s based on your real life experiences and releasing it openly for people to scrutinise.”
sangeetha gowda

DAM: The characters you play share the same names as you, how much of their story aligns with your own and how did you find a point of difference in story (so as not to lean completely into documentary)?

SG: A lot of my character’s story was inspired by my experiences at the beginning of my career, so it felt strange to go back and try to remember what that felt like, and come from more of a place of naivety in terms of how the industry works. Ultimately ‘Sangeetha’ the character, represents that initial innocence and passion for the dream that so many come into their careers with. You have this idea and plan of how everything’s going to fall into place, totally ignoring any possibility that things might not turn out the way you confidentially believe they will.

I also wanted to make a point of calling my character ‘Sangeetha’ – not just as this character was inspired by my own experiences, but because whenever I would see a South Asian character in Western TV, they would always have an anglicised name or one that “looks shorter or easier to pronounce” . I also found that I was one of the few mixed race actors in the industry with a fully ethnic name. I know for me, my fully Indian name has been used by others as a way of setting me apart or pointing out my difference in the industry, which I think is disheartening. You think ‘it’s just a name’ , but it’s used as ammunition to state that “you’re not one of us” or, “you’re different”. I love my name but I’ve always been made to feel like it’s a problem, so now I’m making it front and centre, no abbreviations and no removing of the silent ‘h’.

“Whenever I would see a South Asian character in Western TV, they would always have an anglicised name or one that’s shorter or ‘easier to pronounce’. My fully Indian name has been used by others as a way of pointing out my difference, it’s used as ammunition to state that “you’re not one of us” or, “you’re different”. I love my name, so now I’m making it front and centre, no abbreviations and no removing of the silent ‘h’.”
sangeetha gowda

MY: The character is literally me, but in saying that it’s a combination of my past and present experiences. I’m different from my character as this person is who I was a few years back. When we are introduced to ‘Marshall’, we see someone who hasn’t found their footing yet in the industry or in life. He wants to be a ‘leading man’, but doesn’t seem to know how. He is slowly realising something however, slowly growing into the person he’s meant to become, me. In saying that, sadly, the experience he goes through in the episode happened to me only last year while I was on a set. That experience itself inspired me to write my episode, it was my ‘aha!’ moment of how I wanted to encapsulate what I was trying to say through film. In saying that, it’s not a one to one retelling of the day, the main difference is there’s an element of hope towards the end which sadly, was not how it played out in real life. However, with this series, it was so important for us to have ‘hope’ be a grand underlying theme, which is what the main difference is between our characters and their stories. It’s things I wish I could have said or done, which is a pretty powerful sentiment in itself and I’m so glad that Sangeetha and I have captured that to our expectations.

“Sadly, the experience my character goes happened to me only last year. That experience itself was my ‘aha!’ moment of how I wanted to encapsulate what I was trying to say through film… However, with this series, it was so important for us to have ‘hope’ be a grand underlying theme, which is what the main difference is between our characters and their stories. It’s things I wish I could have said or done.”
marshall-weishuai yuan

DAM: Marshall – you were one of the key editors and main colour gradist for the series, what’s it like being on the other side of the camera in that way?

MY: It’s not easy, I can tell you that, but I love it at the same time. Art is something that comes naturally to me, so to me creating cinema is like creating moving art. The colour, the composition, the magic of it all coming together, there’s something about it. Editing was a very difficult task for the project in the fact that time was so limited. I found myself waking up and editing until night time, then doing it again the next day for almost 2 months straight. I think unlike most actors who are creators, I enjoy editing. It’s tedious but I love seeing how something comes together, and I’m the wizard who gets to create the magic. Post production is also the place where it can ‘make or break’ a project, and my job as an editor and a producer is to make sure that the project crosses through the finish line no matter what. No matter how many hours, sacrifices or exhausted sessions, I had to have the vision of it crossing the finish line. I think that mentality is vital to being on the other side of the camera. Unlike Actors, whose job is done after the shoot, the people behind the camera/post production are just beginning their jobs, and for that I have to commemorate all the other team members involved.

“Editing was a very difficult task as time was so limited. I found myself waking up and editing until night time, then doing it again the next day for almost 2 months straight… No matter how many hours, sacrifices or exhausted sessions, I had to have the vision of it crossing the finish line. I think that mentality is vital to being on the other side of the camera.”
marshall-Weishuai Yuan

DAM: Sangeetha – tell us about the other characters you’ve helped write – Eva & Rishi and co-writing for Omar, were these inspired by other people?

SG: Interestingly, parts of Eva and Rishi were inspired by my own journey as well – along with instances I’d seen friends go through in the industry. I think Eva digs into the stereotypical expectations and typecasts put specifically onto Ethnic Women in the Film industry. How many times do we see castings looking for BIPOC women that are – sassy or fiery? I don’t feel BIPOC women are given enough opportunities to play complexities of characters that are also intelligent, smart, or even calmer natured. And all these values completely embody Eva, which you see in her day to day life. I think many of us have been Rishi at one point or another. That difficult decision between pursuing your passion – or appeasing your family, who sacrificed so much so you could have a better life. Or even dealing with family members who don’t understand why you do what you do. It’s hard, especially if your family are struggling financially, are ill or rely on you to help them out – it adds so much pressure. Omar we left up to Mina Asfour, however what was important for me, was that Omar’s character showcased the very real struggle for majority of creatives in this field. Given so many Actors don’t have other qualifications and need a part time hustle that can offer flexibility – you’ll find many of them in customer service jobs (hospitality, retail ect). It just so happens that you can get treated very badly there, and it adds to everything else going on in your life already. I think specifically in Omar’s episode we see him at a breaking point, and the job fuels the fire.

“That difficult decision between pursuing your passion – or appeasing your family, who sacrificed so much so you could have a better life – Or even dealing with family who don’t understand why you do what you do. It’s hard, especially if your family are struggling financially, are ill or rely on you to help them out – it adds so much pressure.”
sangeetha gowda

THE CAST:

DAM: What drew you to working on this project – why this particular story?

SR: Great question, honestly, it was God who drew me to it! For some context: I am an immigrant with immigrant’ parents and because of that, I cannot afford to pursue acting full-time. Over the past few years, acting has become more of a side project while I’ve been working full-time as an accountant and completing further accounting studies. I am also a Christian and very committed to my faith. When this project was first pitched to me, I was hooked by the concept but at the time, I didn’t think I had the capacity to commit. Then I had a Zoom meeting with Sangeetha where the conversation felt very God-led. After a lot of prayer, I realised that many people in my life don’t actually know what it’s like for me to be an Ethnic actor, or understand why I haven’t pursued it more actively, despite my passion. So when the Lord miraculously cleared my schedule, I took it as confirmation – not just to say yes to this intentional project but to also step into more conversations about representation.

Sky Reg’Ina plays “EVA”, Co-Star of Broke Actor (Styled by LAKSHMI BEE)

MVP – I generally love stories about people chasing their dreams, and I liked the way this story, in particular, was able to balance comedy and drama so well. I really appreciated the way that Marshall and Sangeetha were able to create something very personal, and at the same time, universal. For me, it was a great opportunity to play a well written and realistic character, struggling with balancing the responsibilities of life, while chasing a dream.

Mathew V Philip plays “RISHI”, Co-Star of Broke Actor (Styled by LAKSHMI BEE)

MA – Look, I’m a sucker for a good story and a bit of drama — sue me. When the legends at NOAH Films slid into my DMs about writing an episode, I said yes before they could even finish the sentence. It was chaotic, it was fun, and frankly, I live for that kind of energy.

Mina Asfour, plays “OMAR”, Co-Star & Co-Writer of Broke Actor (Styled by LAKSHMI BEE)

DAM: As an Actor yourself – playing a character who is also pursuing the same dream, did you find parallels between yourself/your journey and the character you play?

SR: YES, ABSOLUTELY! There is a scene where Eva gets a casting call that she knows she’d be perfect for but then she sees the reference photos and lo and behold they look nothing like her. That experience hits home for me. I’ve had so many moments where I get excited about a casting brief that aligns with my skills and experience only to then see the appearance descriptions say “Caucasian” and “Ethnically Ambiguous” *laughs in pain*. It’s discouraging to know that I can deliver but my appearance disqualifies me. There is also a scene set in an acting classroom where everyone stereotypes the kinds of roles Eva should play. I haven’t experienced that in a classroom environment but have had similar conversations. As soon as I mention that I am an actor, people although with the best of intentions but also with little awareness, start listing Hollywood roles that they could see me in BUT those roles are always based on the small handful of Black actors that they know. Then without fail, comes the question “Can you sing?” followed by the suggestion that I should do musicals or pursue a singing career. As if being a black actor means that I need to have the vocals to back my dark skin up. Like Eva, I find myself genuinely asking if these are my only options, not to be snarky or anything, but because I do wonder if people can see me beyond these stereotypical roles.

“There is a scene where Eva gets a casting call that she knows she’d be perfect for but then she sees the reference photos and lo and behold they look nothing like her. That experience hits home for me… It’s discouraging to know that I can deliver but my appearance disqualifies me.”
sky reg’ina

MVP: Not directly, my personal experience has probably been a lot more positive than Rishi’s, but what I really related to was the fundamental experiences of balancing dreams with responsibility and honouring family expectations. I think that aspect of the character’s life and journey is something I felt a closer connection to. On top of that, he experiences conflict within himself and is at a crossroads, not knowing which path to take. That’s something we can all relate to.

MA: Oh, absolutely. It was basically therapy in disguise. The frustration? Been there. The rejection? Babe, I have loyalty cards. The dream? Still delusional. But hey — how lucky are we to live somewhere we get to struggle artistically and call it a career move?

DAM: Mina, you actually wrote the episode that you star in. When conceptualising ideas and collaborating with Sangeetha/Marshall on the series theme – why was this the character you wanted to write? What were you trying to say with Omar?

MA: I just wanted him to be fun! I mean, if I’m gonna write and act in it, why not cause a little chaos, right? I loved that Omar has such a short fuse. Most creatives don’t get the luxury of snapping at people, so it was honestly a good time being annoyed by literally everything.

DAM: What’s it like working with the couple behind Noah Films and co-creators of Broke Actor – Marshall & Sangeetha ?

SR: It’s been great working with Sangeetha and Marshall! They are both very passionate and relational and I am honestly so grateful to God for the opportunity to collaborate with them. I appreciate how they communicate their vision – they are open and vulnerable while keeping things professional. They set a comfortable atmosphere on set and in moments where I felt like I was not doing things right, they were patient and used different techniques to build me up into who they needed Eva to be. I also really appreciate their trust in me as an actor — they gave me the freedom to explore Eva’s intentions and fill in the blanks of her character. Even if they didn’t always run with my perception of things, they made me feel heard. 10/10 would recommend hahaha

MVP: Working with Sangeetha was wonderful, working with Marshall was horrible. Nah, jokes! [laughs] They are both incredibly kind and creative artists, with a genuine passion for telling sincere and inspiring stories. Even though a project like this took a lot of work, they made it feel more like you’re just having a great time with friends.

MA: It’s honestly like watching creative couple’s therapy, and I mean that in the best way. They balance each other out like coffee and anxiety. The passion’s real, the chaos is organised, and they make it work because they’re obsessed with what they do — and we love them for it.

DAM: What’s one thing you wish more people knew about pursuing a career in Film?

SR: Choosing Acting is not an easy way out. We train, we upskill, we HUSTLE in an industry where our skills do matter but in its current state, our appearance matters more. We might want to say yes to every opportunity that comes our way, but not every opportunity is dignifying. Sometimes we say no, because we don’t want to dishonour ourselves and our communities *shakes head at “BUT it’s good exposure” *.

MVP: It’s pretty fun, but you only really learn how things work after you get started.

MA: That behind every “overnight success” is about 4,000 emails, 600 Zoom calls, three mental breakdowns, and an unpaid invoice from 2018. There’s no right or wrong way to do it — just a ridiculous amount of work no one posts about. You’ve gotta love the job and the admin. If not, good luck babe.

“Behind every “overnight success” is about 4,000 emails, 600 Zoom calls, three mental breakdowns, and an unpaid invoice from 2018. There’s no right or wrong way to do it — just a ridiculous amount of work no one posts about.”
mina asfour

DAM: Why did you decide to create this in the style and format you have? (Satire, comedy-drama, anthology, YouTube release)

SG: Although this is an Anthology, the way we’ve structured the episodes, the viewer is taken on a journey from the beginnings of a Dream – through the difficulties of actually pursuing that dream – to the point where you question if you continue believing in it or say goodbye. As for the genre, it’s a Satire/social commentary as most of our work is, but for this one we delved more into comedy – which was newer for us being very Dramatic writers. However, when you’re dealing with such a tough subject matter and one that hits very close to home, I think you need elements of comedy to break up all that intensity, and allow yourself to look back on it and laugh. Plus, sometimes the experiences we’ve gone through really do seem absurd! Balancing the fine line between allowing people to laugh in moments – yet also making them stop and think, ‘wait, should I be laughing at this?’ – was hard, but I feel like we’ve managed to pull it off.

“Balancing the fine line between allowing people to laugh in moments – yet also making them stop and think, ‘Wait, should I be laughing at this?’ – was hard, but I feel like we’ve managed to pull it off.”
sangeetha gowda

MWY: Anthology series are always great because we get a chance to see multiple viewpoints of the same theme. This industry is filled with people of all different backgrounds, many who are Ethnic Australians like ourselves. We wanted to share different stories from different leads, but also show that our struggle is the same. I think our style of satire is a must for the series as it would be too depressing. Comedy is a great way to ease into dark subject matter. We drew a lot of inspiration from incredible shows such as ‘The Bear’ and ‘Beef’, who adopted similar styles. Also, when I look back at my experiences, I just can’t help but to laugh.

DAM: What’s it like working with your real life partner and co-creator/writer/producer/director Sangeetha/Marshall?

SG: I feel very blessed to have been brought together with Marshall back in 2017. Sometimes when you have a passion and a dream for something, it can feel like no one really understands it but you. And that can feel very lonely at times. But with Marshall, we’re so aligned with what our goals are and what the ultimate purpose of our work is, that although what we do is hard, it somehow makes the process a lot easier. When I’m in a low point – he builds me up, and I do the same with him. Working together as business partners took some learning and adjusting, but I think we’ve found a sweet spot now that adheres to what each of our strengths are – and we allow each other to take control of those parts of a project as needed. Without trying to be biased – as a Director, he’s my favourite Actor to work with, because he cares just as much as I do, and he comes with the work done to the very last detail. And as an Actor, I know I can trust his Direction to push me to greater levels as a performer. I’m always proud of how far we’ve come together through NOAH Films.

MWY: When I met Sangeetha, I knew we shared the same goals, and that’s why we work together so well. It’s not just that we’re a couple, because a lot of couples can’t work together, but it’s because we fight for the same things. It’s easy working with her because she is very talented, but one thing that stands out the most to me is her relentless work ethic. She is the first to arrive and the last to leave and she expects nothing but excellence. I think having a partner with these qualities is really a godsend, because she motivates me when I’m feeling in a rut, and I do the same with her. There are times where I’ve felt uncertain about a certain thing, whether it’s a deadline or something about a script and she motivates me to just get it done or see a different perspective which I haven’t. I believe this has always been the strength of our company.

DAM: What’s something you hope audiences will take away after watching the series?

SR: What I especially hope that audiences take away AND learn from Eva’s story is the layers in the journey of an upcoming actor. From the outside, it might look like fun, easy and even lazy work because you see the final product! What you don’t see is the battles that happen long before we get on set. For actors like me, a huge part of the challenge is how the world sees me and how that perception actually limits the jobs I am able to “apply for”. So no, I can’t just go to Hollywood already, when there are no stories with me in mind.

MVP: Mainly, I just want people to have enjoyed what they saw. Whether it was from having had a good laugh at the comedic moments or being emotionally moved by the more dramatic parts. As long as they connected with the story or character in some way, I’m happy.

MA: I just want people to feel something. Laugh, cry, question their life choices — ideally all three. Film’s the one medium where you can fully crawl inside someone else’s mess and pretend it’s not yours, and if we’ve done our job, you’ll be right there with us. Also, shoutout to the cast and crew, because it takes a small army of sleep-deprived weirdos to pull this stuff off.

MWY: I hope they can feel that there is still hope even when it seems like all hope is lost and that leadership isn’t something outwards but it’s guidance through being a good role model. This career is not for the faint hearted, and the key to success is persistence and tenacity, but you also need to love the craft. There’s too many people who come into this for the wrong reasons and I find usually those people don’t last. The utmost importance is you have to be obsessed with losing yourself to the craft, not losing yourself to the fame and fortune, but the craft of acting, and then after you can focus on the promotional side of it. Acting is a very spiritual thing if done right, you’re embodying the spirit of different characters within yourself and for that you need a ton of vulnerability which can only come if you are honest with yourself.

“I hope they can feel that there is still hope even when it seems like all hope is lost.”
marshall-weishuai yuan

SG: There are a lot of layers weaved into this series. I hope it takes audiences on a journey – one through a perspective they’ve never been able to fully understand, or one that makes them feel properly seen. We comment on a lot of issues that people are afraid to talk about – especially in Australia where these things so often get brushed off as a joke, or are told not to be taken too seriously. I hope it provides somewhat of a wake up call to change – but even more, I hope it showcases how much talent exists here beyond race, and how when you give that talent the freedom to flourish – just how much it does so. Universally, I hope people will be reminded of the power and importance of Dreams, and that despite all the valleys that we encounter on our journey, it’s our faith in Dreams that makes life worth living.

“I hope it showcases how much talent exists here beyond race, that when you give that talent the freedom to flourish – just how much it does so… And that despite all the valleys that we encounter on our journey, it’s our faith in Dreams that makes life worth living.”
sangeetha gowda

‘BROKE ACTOR’ is out now on the NOAH Films Youtube Channel.

Watch the Official Trailer & Series below: